He was already world-famous by the time he moved there in 1948. So many times before he had spent his holidays on this very coastline, drawing it and painting it, celebrating, flirting, making love. Now Pablo Picasso was to make the French Riviera the scene for the final two and a half decades of his life: it was to be the source of his inspiration. He developed a following of photographers, capturing him on film on the beaches of the Côte d’Azur, in the towns and in the bullfighting arenas. Some of these photographers were well-renowned – Robert Capa and Man Ray, Edward Quinn and Robert Doisneau, Henri Cartier-Bresson, Lucien Clergue, Lee Miller, to name but a few. They were there, observing him and the formation of his vision, holding on to the moments which, collectively, would paint a picture of this man, the man that would go down as the greatest artist of his day.
Jacket
German
ISBN: 978-3-941459-11-3
Helge Sobik, born in Lübeck, Germany, in 1967, mainly writes reports on foreign countries from all over the world. Amongst other publications, his articles appear in the Süddeutsche Zeitung, the Standard in Vienna and the SonntagsZeitung in Zürich. As an author he works for magazines such as Vogue and Icon. In his works dealing with famous artists he is interested in taking more than just a history of art approach: his aim is to make the artists come alive to the reader far beyond their works alone, inducing other people to talk about them, understanding them in the surroundings of their workplace and therefore always presenting a particulary plastic image of their day-to-day life. He has dealt with Picasso’s creative work specifically in the South of France in several essays and has repeatedly visited all of the places in the region where the greatest artist of the century worked – also meeting several of his contemporaries. Sobik has been presented with several awards for journalism.
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